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Cole and Piper have always had a ton of chemistry, and their dialogue here was ripe with catty insults and fun banter. Disappointingly, Cole spends most of his on-screen tenure trying to get Piper to not give up on love, one of the most annoying themes that runs through seasons seven and eight. It turns out that he actually sent Drake into the Halliwell's lives to help Phoebe work through her love issues, and while it's annoying and predictable and once again all about Pheebs, it's a nice little closer for Cole. He's over the evilness, and wants to make sure Phoebe winds up happy in some form. I kind of wish the show didn't put so much emphasis on 'finding a man equals happiness', but I guess it's just the type of regressive sexism that Brad Kern specializes in.
The Leo parts of the episode are crazily tedious, especially the numerous anvils as he goes on an amnesia-leaden quest to find his lost love. I'm also entirely over the Golden Gate Bridge scenes. It looked impressive the first time they did it, but having it become the Elder's hang-out in what feels like every episode just stinks of the show's budget rapidly dwindling. Ugh.
The Seven Year Witch has zero dramatic momentum and frequently tires you out with its monotonous pretensions about love, but I guess its heart is in the right place, and at least Julian McMahon saves it from being a total wash. C
Credits
Guest stars Julian McMahon (Cole Turner); Kathleen Wilhoite (Nadine); John De Lancie (Odin); Elizabeth Dennehy (Sandra); David Wells (Clyde); Brett Rice (Sheriff); Billy Zane (Drake)
Writer Jeannine Renshaw Director Michael Grossman
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