
I love that Darla was brought back from the dead. It feels perfectly right that Wolfram & Hart would investigate Angel's history to find somebody who could potentially destroy him, and opens up a legion of possibilities for next season. And I know I bring this up every week, but I love the contrast between the melodramatic demon Vocah and the uptight lawyers in business suits that just summoned him. So ridiculously inventive.
Elsewhere, Angel's prophecy grants him a clearer direction to head down. If anything, it means he could be with Buffy, right? Cordelia's vision-o-rama was brilliantly performed by Charisma Carpenter, and allows for a fresher spin on her character. While she's still biting and humorous, she's now seen the world's pain, and it opens things up a little. The Oracles also bit the dust, but they were so vague and under-developed that their absence won't be a problem.
For a finale, this was a little 'blah' by Whedon standards, but it does promise a clearer focus for next season. The ensemble is coming together (Lindsey, Lilah and Gunn are all strong recurring characters), and we're beginning to see the series kicking up a gear after a mixed bag of an opening season. The show is impressive, but it's only truly hit its stride in recent episodes. B
Credits
Guest stars Elisabeth Rohm (Kate Lockley); Christian Kane (Lindsey McDonald); Stephanie Romanov (Lilah Morgan); Sam Anderson (Holland Manners); Todd Stashwick (Vocah); Carey Cannon (Female Oracle); Randall Slavin (Male Oracle); David Herman (David Nabbit); J. August Richards (Charles Gunn)
Writer David Greenwalt Director David Greenwalt
No comments:
Post a Comment