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While its likely that the Hansel and Gretel kids created mass hysteria through demonic means, the sight of Joyce Summers wanting to burn her daughter at the stake is a little tough to take, while the rest of the MOO angle is so extreme and elaborate that it comes off slightly awkward. At what point does Joyce end and irrational-Joyce begin? There's obviously a part of her that is uneasy about the presence of monsters and vampires in her life, but it got taken too far here. I'm also not sure I enjoyed seeing Willow's mom for the first and only time. She's a complete hag, all about annoying psychological hoodoo and always ignoring her daughter. Her presence just lends an other-worldly feel to this story that further adds to the awkwardness of the plot.
What saves the episode is the depiction of the gradual re-building of the Scoobies, with Oz and Xander bonding once again, and Cordelia saving the day (sort of). Cordelia is great here, especially her interaction with Giles ('wake up in a coma') and that great scene with the fire hose. There's also unsurprisingly a heap of wonderful dialogue all over the place, Jane Espenson once again displaying her knack for genius one-liners. And, finally, we have the return of Amy, who remains a rat at the end of the episode. Great comic idea, there.
So while I didn't particularly enjoy the MOO exploits, there's a lot of humor to be appreciated here. And at least the concept is something to be admired. Eh. Filler episode in general. C+
Credits
Guest stars Kristine Sutherland (Joyce Summers); Elizabeth Anne Allen (Amy Madison); Harry Groener (Mayor Richard Wilkins III); Jordan Baker (Sheila Rosenberg); Armin Shimerman (Principal Snyder)
Teleplay Jane Espenson Story Thania St. John, Jane Espenson Director James Whitmore Jr.
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