
It felt a little out-of-character for Alfred to bring Wade into the clock tower. He's like the most loyal and devoted butler in the world, I can't see him doing something so potentially destructive. Wade could be evil, it could distract Barbara, and it could endanger lives. It just didn't ring true to possibly work. However, I guess it was the best the show could do with the rushed finale.
Equally pulled-out-of-left-field was the revelation that Clayface murdered Selina Kyle. Maybe I'm too familiar with the comic books (even if 'familiar' is pushing it a little...), but the idea that Clayface could kill her via stabbing is just too jarring. And I was always under the impression that Selina's death had something to do with The Joker. The scene itself was reminiscent of the 1989 Batman movie, with the smart-suited goon and a pocket knife, so maybe that's what confused me...
Clayface is one of my favorite comic book villains, especially his incarnation as a struggling actor who utilizes his shapeshifting abilities to extend his 'acting range'. But the Clayface here is a little too hammy and uninteresting. Kirk Baltz's performance is all over the shop, while the lack of budget is all too evident with the clay-victims and the lack of any real action. Few of the villains on this show have been great, restricted by both the TV budget and the series' determination to ground them in some form of realism (most are just crazy 'meta-humans'), which itself is then hampered by the fact that they're all performed so broadly by the actors. It's an annoying contrast.
Despite a lot of flaws, Feat of Clay is a pretty entertaining hour. There is a welcome sense of momentum with the characters, some neat tension between Helena and Barbara over Selina's murder, hilarity in the world's emptiest fashion show, and major underuse of Dinah (which in this case is glorious). In general, it's fine. B-
Credits
Guest stars Shawn Christian (Wade Brixton); Ian Reed Kesler (Chris Cassius); Kirk Baltz (Clayface); Patrick Fischler (Dr. Will Kroner)
Writers Adam Armus, Kay Foster Director Joe Napolitano
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